Roof Lantern Installation
Flat-roof glazing sized to the room and detailed into the kerb below it.
View this service →Hill town, mixed stock. What that means for getting glass into a roof here is the whole of this page.
Flat-roof glazing sized to the room and detailed into the kerb below it.
View this service →Flush and kerb-mounted units into single-ply, felt and GRP flat roofs.
View this service →Roof windows trimmed into slate, clay and concrete tile without proud flashing.
View this service →We install VELUX alongside Fakro, Keylite and Roto roof windows.
View this service →Actuated opening units, rain sensors and controls, wired and commissioned.
View this service →Specified on U-value and g-value, not on the brochure photograph.
View this service →Rayleigh is built along the top of a ridge. The High Street runs the crest at around sixty metres, the ground falls north towards the Crouch and south towards the Thames marshes, and the geology under it is a cap of Bagshot sand sitting on London Clay. Almost every practical question about fitting a rooflight in the town traces back to that shape: what the wind does on an exposed skyline, what the clay does to a house on the slope, and who can see a rear roof from higher ground.
Add a conservation area wrapped around the Mount, the church and the windmill, a stock that runs from Victorian brick through nineteen thirties hipped semis to trussed post-war estates, and plots that step down several metres from the road, and the survey has plenty to settle before a price means anything. This page works through what a Rayleigh roof actually asks for.
London Clay is a shrinkable soil. It takes up water in winter and gives it back in summer, and a house founded on it moves seasonally by a few millimetres, more where mature trees are drawing moisture out of it. Over eighty or ninety years that movement accumulates unevenly, and the visible result on a Rayleigh roof is a ridge line with a gentle dip in it and rafters that are no longer in one plane.
That matters twice for a rooflight. On a pitched slope, a unit is a rigid rectangle set into timber that has settled into a curve, so the opening is measured off the actual rafter positions rather than off a drawing. On an existing flat roof, seasonal movement can have flattened the original fall, which is why the survey checks where water is standing before anybody discusses glass.
Wind speed rises with height and with the absence of anything upwind to slow it. The Rayleigh ridge is the first significant rise inland from the estuary, so the crest takes the full run of a southerly and the north side takes a clean fetch off open farmland. The load on a rooflight from that is suction rather than pressure: air accelerating over the roof lifts, and the strongest local suction occurs within a metre or so of ridges, hips and verges.
The response is straightforward and it is all in the detail. Fixing brackets go in at the manufacturer’s closest permitted spacing rather than the widest. Every fixing lands in structural timber, not in a batten. Flashing side laps are taken beyond the minimum, and the tiles lifted around the opening are mechanically fixed on the way back rather than left to sit on their nibs.
Rayleigh Mount is a scheduled monument, the surviving earthworks of the Norman castle, and the historic core of the town sits around it: Holy Trinity Church, the tower mill of 1809, and the older buildings along the High Street and Crown Hill. The conservation area covers that core.
Inside it, the test applied to a rooflight is whether the work preserves or enhances the character of the area. That is a design brief rather than a barrier. A unit that sits flush with the covering, carries a slim dark frame instead of a wide white one, has a central vertical glazing bar and lands on a slope not visible from a public road will usually satisfy it. A modern white surround standing proud of a clay tile front slope will not. The conservation rooflight pattern exists for exactly this position.
The usual planning shorthand is that a rear roof is private. On a hillside town that assumption breaks. A house on the lower part of Crown Hill or on the roads dropping towards Hullbridge Road has its rear plane in clear view from the road and the gardens above it, and a unit that would be invisible in a flat town is the first thing a neighbour sees from a first floor window.
It is worth establishing early, because it changes the sensible specification rather than the answer. A slim framed flush unit on a visible rear slope reads as part of the roof. Two of them lined up on the same horizontal course read as deliberate. Three at different heights read as an accident.
Much of Rayleigh built between the wars carries a hipped roof: a slope on all four sides, no gable, a short ridge. It is a good roof and an awkward one to open. The usable area on a hipped rear plane is a trapezium, not a rectangle, because the hip rafters cut in from both ends as you go up towards the ridge.
In practice that caps how high a rooflight can sit before the hip crowds it, and it usually pushes the unit lower down the slope than the client first imagined. Lower is often better anyway, since a roof window set nearer the eaves gives a view out at standing height. Where a wider opening is wanted, two units set side by side in the same course fit the geometry far better than one large one.
The chalet is a Rayleigh staple, particularly on the slopes off Eastwood Road and around the Grange. A front dormer lights the front half of the upstairs room and the back half sits under an unbroken rear slope in permanent gloom.
A roof window in that rear plane is usually the entire answer, and the constraint is internal rather than external. The knee wall, the collar and the point where the sloping ceiling meets the flat ceiling all decide where a unit can land with useful headroom in front of it. Set too high and the glass looks into the void above the collar rather than into the room. The position is worked out from inside with a tape and confirmed from outside, never the other way round.
The estates built from the nineteen sixties onwards use trussed rafters, usually a fink pattern at six hundred centres. A truss is an engineered component whose webs and bottom chord carry load in tension and compression, and cutting one is a different act from cutting a rafter in a traditional roof.
So on those roofs a roof window is sized to pass between trusses rather than through them, which puts a practical ceiling of around five hundred and fifty millimetres on the clear width unless a structural engineer designs a trimming solution with proprietary hangers. Two narrow units in adjacent bays is very often the honest answer where somebody wanted one wide one, and the daylight result is close to identical.
The covering selects the flashing kit, and getting that right is not negotiable. The town has four common ones.
| Covering | Where it turns up | What the detail needs |
|---|---|---|
| Plain clay tile | Older High Street ranges, Victorian and Edwardian houses | Soaker based kit dressed between courses, tiles re-laid in order |
| Concrete interlocking tile | Interwar semis and every post-war estate | Deep profile kit matched to the pan, or the apron bridges the troughs |
| Natural slate | A handful of nineteenth century villas and outbuildings | Low profile kit dressed tight, courses re-hung on hooks or nails |
| Felt, GRP or single ply | Rear extensions and garage roofs across the town | No kit at all: membrane dressed up the kerb and terminated under the unit |
Because the main spine of the town follows the ridge, a very large number of Rayleigh houses have their two principal roof planes facing broadly north and broadly south. That is unusually consistent, and it is useful, because orientation changes the glass before it changes anything else.
A north facing rear slope receives even, cool, shadowless light for the whole day and almost no solar gain, so it will take a generous rooflight with a fairly neutral glazing specification. A south facing rear slope over a kitchen collects the summer sun at a high angle from late morning until evening. Same house, same room size, different order.
The common Rayleigh brief is a flat roofed kitchen extension across the back of a semi, and on the south side of the ridge that is the classic overheating case. Glass in a roof plane faces the whole dome of the sky, so in July it collects solar energy close to perpendicular for hours.
Solar control glass with a low g-value is the standard answer and it works, at the cost of a small reduction in light transmission. Where the glazing area is large relative to the room, external shading does what internal blinds cannot, because it stops the energy on the outside of the glass rather than after it has already entered. The glazing specification is settled at order, not afterwards.
A flat roof is designed to a fall, conventionally a minimum of one in eighty as drawn, which allows for deflection and workmanship and is meant to deliver something close to that in reality. Many of the older Rayleigh rear extensions were built to less than that, or have deflected since.
Water standing for more than about forty eight hours after rain is ponding, and ponding against a rooflight kerb is the condition that finds any weakness in the perimeter. Where a survey identifies it, the sensible sequence is to correct the fall first and set the glass into a roof that drains. A flush rooflight in a well drained roof is a very long lived detail. In a pond it is a running argument.
Plenty of Rayleigh houses have been extended front and back until an internal hallway, landing or bathroom sits several metres from any external wall and any roof edge. There is no roofline to put a window in.
A sun tunnel solves that. A domed collector on the roof feeds a rigid reflective duct down through the void to a flush diffuser in the ceiling, and a two hundred and fifty or three hundred and fifty millimetre tube delivers a genuinely useful amount of daylight to a windowless space. The duct wants as short and as straight a run as the void allows, since every bend costs light, and the route is worked out at survey with the loft open.
A good number of Rayleigh plots drop away behind the house, sometimes by a full storey. That changes the scaffold rather than the roof. Standards land on stepped bases with sole boards, the lift heights are set from the lowest ground level rather than the front, and the tower needs a level working platform where the ground has none.
Where a rear garden has no side access wide enough for boards and tube, the scaffold is carried through the house or lifted over, both of which take longer and both of which belong in the quote rather than in a conversation on the first morning. It is settled at survey.
The High Street and the roads immediately off it have controlled parking, loading restrictions and a good deal of through traffic. For a job on or near the centre, a bay suspension is arranged in advance with the council so that materials arrive next to the building rather than a street away.
On the residential roads the constraint is different: narrow carriageways with cars both sides, which makes the delivery window matter more than the permit. Either way the roof is stripped, opened, weathered and closed within the same working day, and it is left watertight overnight whatever the forecast is doing.
The survey turns a range into a fixed figure, and on this stock it is looking for a specific list. What the covering is and what condition it is in. The pitch, measured rather than estimated. Whether the structure is a cut roof or trussed, and where the members actually sit. Where the internal ceiling line lands, since that decides the reveal. The orientation of the plane. And how materials get up and waste comes down on a sloping plot.
It is also where awkward facts surface: a purlin through the middle of a proposed opening, a bathroom extract discharging into the void, a rear plane already carrying two different tile gauges from an earlier extension. Finding those before a price is agreed is the entire point of going up there.
The Building Control notification is handled as part of the job, and on an address inside the conservation area the planning position is established before anything is ordered. Sunspire gives a range by email once the roof plane, the covering and the room are known, then a fixed written figure once the survey has confirmed structure and access.
The neighbouring towns work the same way, including Hockley, Rochford and Benfleet, and the full list of towns and villages sits on the areas we cover page. Sunspire fits new rooflights and replaces units that have reached the end of their working life. The workmanship carries a ten year guarantee.
We start with the building, the covering and the slope. Then we tell you what will suit it, and what it will cost, as a fixed written number.
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